The one and only Zadie Smith, prize-winning, bestselling author of Swing Time and White Teeth, is back with a second unmissable collection of essays.

No subject is too fringe or too mainstream for Zadie Smith's insatiable curiosity. From social media to the environment, from Jay-Z to Karl Ove Knausgaard, she has endless enthusiasmand the boundless wit, insight and wisdom to match. In Feel Free, pop culture, high culture, social change and political debate all get the Zadie Smith treatment, dissected with razor-sharp intellect, set brilliantly against the context of the utterly contemporary, and considered with a deep humanity and compassion.

This electrifying new collection showcases its author as a true literary powerhouse, demonstrating once again her credentials as an essential voice of her generation.

One of the most influential novels of the twentieth century.

Originally published in 1937, Their Eyes Were Watching God brings to life a Southern love story with the wit and pathos found only in the writing of Zora Neale Hurston. Out of print for almost thirty years—due largely to initial audiences’ rejection of its strong black female protagonist—Hurston’s classic has since its 1978 reissue become perhaps the most widely read and highly acclaimed novel in the canon of African-American literature.

Fair and long-legged, independent and articulate, Janie Crawford sets out to be her own person—no mean feat for a black woman in the '30s. Janie's quest for identity takes her through three marriages and into a journey back to her roots.

Truth and fiction. Jamaica and Britain. Who gets to tell their story? Zadie Smith returns with her first historical novel. Kilburn, 1873. The 'Tichborne Trial' has captivated the widowed Scottish housekeeper Mrs Eliza Touchet and all of England. Readers are at odds over whether the defendant is who he claims to be - or an imposter. Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her novelist cousin and his wives, this life and the next. But she is also sceptical. She suspects England of being a land of façades, in which nothing is quite what it seems. Andrew Bogle meanwhile finds himself the star witness, his future depending on telling the right story. Growing up enslaved on the Hope Plantation, Jamaica, he knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realise. Based on real historical events, The Fraud is a dazzling novel about how in a world of hypocrisy and self-deception, deciding what's true can prove a complicated task. PRAISE FOR ZADIE SMITH: 'A writer of remarkable wit and originality' Observer 'A brilliant writer' A M Homes 'She's a genius' Dolly Alderton 'Zadie Smith is a national treasure' James Gleick 'A tremendous talent . . . Smith is simply wonderful' Boyd Tonkin, Independent

From acclaimed and bestselling novelist Zadie Smith, a kaleidoscopic work of historical fiction set against the legal trial that divided Victorian England, about who gets to tell their story—and who gets to be believed

It is 1873. Mrs. Eliza Touchet is the Scottish housekeeper—and cousin by marriage—of a once-famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years.

Mrs. Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr. Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.

Andrew Bogle, meanwhile, grew up enslaved on the Hope Plantation, Jamaica. He knows every lump of sugar comes at a human cost. That the rich deceive the poor. And that people are more easily manipulated than they realize. When Bogle finds himself in London, star witness in a celebrated case of imposture, he knows his future depends on telling the right story.

The “Tichborne Trial”—wherein a lower-class butcher from Australia claimed he was in fact the rightful heir of a sizable estate and title—captivates Mrs. Touchet and all of England. Is Sir Roger Tichborne really who he says he is? Or is he a fraud? Mrs. Touchet is a woman of the world. Mr. Bogle is no fool. But in a world of hypocrisy and self-deception, deciding what is real proves a complicated task. . . .

Based on real historical events, The Fraud is a dazzling novel about truth and fiction, Jamaica and Britain, fraudulence and authenticity and the mystery of “other people.”

LONGLISTED FOR THE MAN BOOKER PRIZE 2017 'Smith's finest. Extraordinary, truly marvellous' Observer 'Superb' Financial Times 'Breathtaking' TLS 'Pitch-perfect' Daily Telegraph 'There is still no better chronicler of the modern British family than Zadie Smith' Telegraph SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS 2017 A dazzlingly exuberant novel moving from north west London to West Africa, from the critically acclaimed author of White Teeth, On Beauty and Grand Union Two brown girls dream of being dancers - but only one, Tracey, has talent. The other has ideas: about rhythm and time, black bodies and black music, what it means to belong, what it means to be free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten either. Bursting with energy, rhythm and movement, Swing Time is Zadie Smith's most ambitious novel yet. It is a story about music and identity, race and class, those who follow the dance and those who lead it . . .

Published in the first month of the first year of the new century, Zadie Smith's debut novel White Teeth - winner of the Guardian First Book Award and the Whitbread First Novel Award - was an immediate bestseller and stunningly acclaimed. One of the most talked about fictional debuts of ever, White Teeth is a funny, generous, big-hearted novel, adored by critics and readers alike. Dealing - among many other things - with friendship, love, war, three cultures and three families over three generations, one brown mouse, and the tricky way the past has of coming back and biting you on the ankle, it is a life-affirming, riotous must-read of a book. 'Funny, clever ... and a rollicking good read' Independent 'An astonishingly assured debut, funny and serious ... I was delighted' Salman Rushdie 'The almost preposterous talent was clear from the first pages' Julian Barnes, Guardian 'Quirky, sassy and wise ... a big, splashy, populous production reminiscent of books by Dickens and Salman Rushdie ... demonstrates both an instinctive storytelling talent and a fully fashioned voice that's street-smart and learned, sassy and philosophical all at the same time' New York Times 'Smith writes like an old hand, and, sometimes, like a dream' New Yorker 'Outstanding ... A strikingly clever and funny book with a passion for ideas, for language and for the rich tragic-comedy of life' Sunday Telegraph 'Do believe the hype' The Times 'Relentlessly funny ... idiosyncratic, and deeply felt' Guardian Zadie Smith was born in north-west London in 1975. Her debut novel, White Teeth, won the Whitbread First Novel Award, the Guardian First Book Award, the James Tait Black Memorial Prize for Fiction, and the Commonwealth Writers' First Book Prize, and was included in TIME 100 Best English-language Novels from 1923 to 2005. Her second novel, On Beauty, was shortlisted for the Man Booker Prize and won the Orange Prize for Fiction. She has written two further novels, The Autograph Man and NW, a collection of essays Changing My Mind, and also edited short story anthology The Book of Other People. Zadie Smith was chosen by Granta as one of its twenty best young British novelists in 2003, and as well as to Granta has contributed writing to the New Yorker and the Guardian. Zadie Smith's new novel, NW, is available from September 2012.

Longlisted for the Carnegie Medal! A dazzling collection of short fiction Zadie Smith has established herself as one of the most iconic, critically respected, and popular writers of her generation. In her first short story collection, she combines her power of observation and her inimitable voice to mine the fraught and complex experience of life in the modern world. Interleaving eleven completely new and unpublished stories with some of her best-loved pieces from The New Yorker and elsewhere, Smith presents a dizzyingly rich and varied collection of fiction. Moving exhilaratingly across genres and perspectives, from the historic to the vividly current to the slyly dystopian, Grand Union is a sharply alert and prescient collection about time and place, identity and rebirth, the persistent legacies that haunt our present selves and the uncanny futures that rush up to meet us. Nothing is off limits, and everything-when captured by Smith's brilliant gaze-feels fresh and relevant. Perfectly paced and utterly original, Grand Union highlights the wonders Zadie Smith can do.

Zadie Smith's first time writing for the stage, a riotous twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath "Married five times. Mother. Lover. Aunt. Friend. She plays many roles round here. And never Scared to tell the whole of her truth, whether Or not anyone wants to hear it. Wife Of Willesden: pissed enough to tell her life Story to whoever has ears and eyes . . ." In her stage-writing debut, celebrated novelist and essayist Zadie Smith brings to life a comedic and cutting twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath. The Wife of Willesden follows Alvita, a Jamaican-born British woman in her mid-50s, as she tells her life story to a band of strangers in a small pub on the Kilburn High Road. Wearing fake gold chains, dressed in knock-off designer clothes, and speaking in a mixture of London slang and patois, Alvita recalls her five marriages in outrageous, bawdy detail, rewrites her mistakes as triumphs, and shares her beliefs on femininity, sexuality, and misogyny with anyone willing to listen. A thoughtful reimagining of an unforgettable narrative of female sexual power, written with singular verve and wit, The Wife of Willesden shows why Zadie Smith is one of the sharpest and most versatile writers working today.

The definitive cult, post-modern novel - a shocking blend of violence, transgression and eroticism - reissued with a new introduction from Zadie Smith. When Ballard, our narrator, smashes his car into another and watches a man die in front of him, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, has gathered around him a collection of alienated crash victims and experiments with a series of auto-erotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash - a head-on collision of blood, semen, engine coolant and iconic celebrity. First published in 1973 'Crash' remains one of the most shocking novels of the twentieth century and was made into an equally controversial film by David Cronenberg. This edition is part of a new commemorative series of Ballard's works, featuring introductions from a number of his admirers (including Robert Macfarlane, Martin Amis, James Lever and Ali Smith) and brand-new cover designs from the artist Stanley Donwood.

"[Smith's] slim collection of essays captures this peculiar moment with startling clarity. . . . The personal and political intermingle for a powerful indictment of America's social systems." -TIME, The 100 Must-Read Books of 2020 "While quarantined amid the Covid-19 pandemic, Smith penned six dazzling, trenchant essays burrowing deep into our contemporary culture of disease and upheaval and reflecting on what was 'once necessary' that now 'appears inessential . . .'" -O, The Oprah Magazine, Best Books of 2020 "Smith does more than illuminate what we're going through right now. She offers a model of how to think ourselves through a fraught historical moment without getting hysterical or sanctimonious, without losing our compassion or our appreciation for what's good in other people. She teaches us how to be better at being human." -John Powers, Fresh Air A New York Times Bestseller Deeply personal and powerfully moving, a short and timely series of reflective essays by one of the most clear-sighted and essential writers of our time. Written during the early months of lockdown, Intimations explores ideas and questions prompted by an unprecedented situation. What does it mean to submit to a new reality--or to resist it? How do we compare relative sufferings? What is the relationship between time and work? In our isolation, what do other people mean to us? How do we think about them? What is the ratio of contempt to compassion in a crisis? When an unfamiliar world arrives, what does it reveal about the world that came before it? Suffused with a profound intimacy and tenderness in response to these extraordinary times, Intimations is a slim, suggestive volume with a wide scope, in which Zadie Smith clears a generous space for thought, open enough for each reader to reflect on what has happened--and what should come next. The author will donate her royalties from the sale of Intimations to charity.

From the MAN BOOKER PRIZE- and WOMEN'S PRIZE-SHORTLISTED author of Swing Time, White Teeth and On Beauty - a masterful and intimate novel of modern London life 'A triumph. Every sentence sings' Guardian 'Intensely funny, richly varied, always unexpected. A joyous, optimistic, angry masterpiece' Daily Telegraph 'Smith's most satisfying novel. Funny, sexy, weird, full of acute social comedy. She's up there with the best around' Evening Standard Zadie Smith's brilliant tragicomic NW follows four Londoners - Leah, Natalie, Felix and Nathan - after they've left their childhood council estate, grown up and moved on to different lives. From private houses to public parks, at work and at play, their city is brutal, beautiful and complicated. Yet after a chance encounter they each find that the choices they've made, the people they once were and are now, can suddenly, rapidly unravel. Funny, poignant and vividly contemporary, NW is as brimming with vitality as the city itself.

LONGLISTED FOR THE MAN BOOKER PRIZE 2017 SHORTLISTED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARDS 2017 'Smith's finest. Extraordinary, truly marvellous' Observer A dazzlingly exuberant novel moving from north west London to West Africa, from the critically acclaimed author of White Teeth, On Beauty and Grand Union Two brown girls dream of being dancers - but only one, Tracey, has talent. The other has ideas: about rhythm and time, black bodies and black music, what it means to belong, what it means to be free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten either. Bursting with energy, rhythm and movement, Swing Time is Zadie Smith's most ambitious novel yet. It is a story about music and identity, race and class, those who follow the dance and those who lead it . . . 'Superb' Financial Times 'Breathtaking' TLS 'Pitch-perfect' Daily Telegraph 'There is still no better chronicler of the modern British family than Zadie Smith' Telegraph

Cover design by Harlem renaissance artist Lois Mailou Jones When Janie, at sixteen, is caught kissing shiftless Johnny Taylor, her grandmother swiftly marries her off to an old man with sixty acres. Janie endures two stifling marriages before meeting the man of her dreams, who offers not diamonds, but a packet of flowering seeds ... 'For me, THEIR EYES WERE WATCHING GOD is one of the very greatest American novels of the 20th century. It is so lyrical it should be sentimental; it is so passionate it should be overwrought, but it is instead a rigorous, convincing and dazzling piece of prose, as emotionally satisfying as it is impressive. There is no novel I love more' Zadie Smith 'One of the greatest writers of our time' Toni Morrison

WINNER OF THE WOMEN'S PRIZE FOR FICTION SHORTLISTED FOR THE MAN BOOKER PRIZE SUNDAY TIMES TOP TEN BESTSELLER From the acclaimed author of Swing Time, White Teeth and Grand Union, discover a brilliantly funny and deeply moving story about love and family Why do we fall in love with the people we do? Why do we visit our mistakes on our children? What makes life truly beautiful? Set between New England and London, On Beauty concerns a pair of feuding families - the Belseys and the Kipps - and a clutch of doomed affairs. It puts low morals among high ideals and asks some searching questions about what life does to love. For the Belseys and the Kipps, the confusions - both personal and political - of our uncertain age are about to be brought close to home: right to the heart of family. 'I didn't want to finish, I was enjoying it so much' Evening Standard 'Thrums with intellectual sass and know-how' Literary Review 'Filled with humour, generosity and contemporary sparkle' Daily Telegraph 'Satirical, wise and sexy' Washington Post

Winner of the 2020 Hugo Boss Prize One of the most intriguing photographers of her generation, Deana Lawson's subject is black expressive culture and her canvas is the African Diaspora. Over the last ten years, she has created a striking visual language to describe black identities, through figurative portraiture and social documentary accounts of ceremonies and rituals. Lawson works with large-format cameras and models she meets in the United States and on travels in the Caribbean and Africa to construct arresting, highly structured, and deliberately theatrical scenes animated by an exquisite range of color and attention to surprising details: bedding and furniture in domestic interiors or lush plants in Edenic gardens. The body-often nude-is central. Throughout her work, Lawson seeks to portray the personal and the powerful in black life. Deana Lawson: An Aperture Monograph features forty-five beautifully reproduced photographs and an extensive interview with the filmmaker Arthur Jafa. "Outside a Deana Lawson portrait you might be working three jobs, just keeping your head above water, struggling. But inside her frame you are beautiful, imperious, unbroken, unfallen." - Zadie Smith

Penguin Readers is an ELT graded reader series for learners of English as a foreign language. With carefully adapted text, new illustrations and language learning exercises, the print edition also includes instructions to access supporting material online. Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content. The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary. Visit the Penguin Readers website Exclusively with the print edition, readers can unlock online resources including a digital book, audio edition, lesson plans and answer keys. White Teeth is the story of three very different families who live close together in London in the 1980s and 1990s. The Bowdens are part-Jamaican; the Iqbals are from Bangladesh; and the Chalfens are white. The story looks at how people's pasts affect their lives now, and the lives and futures of their children.

'Toni Morrison was the lodestar who inspired us' Bernadine Evaristo Twyla and Roberta have known each other since they were eight years old, when they were thrown together as roommates in a girls' shelter. Inseparable then, they lose touch as they grow older, only to meet again later at a diner, a grocery store and then at a protest. The two women are seemingly at opposite ends of every problem but, despite their conflict, the deep bond their shared experience has forged between them is undeniable. Recitatif keeps Twyla's and Roberta's races ambiguous throughout the story. We know that one is white and one is black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage? This story is a masterful exploration of what keeps us together and what keeps us apart, of race and the relationships that shape our lives. Now with a new introduction by Zadie Smith, it is as radically compelling and relevant today as it was when first written nearly forty years ago. 'Toni Morrison is the greatest chronicler of the American experience that we have ever known' Tayari Jones 'Her work is an act of giving her community back to itself, so that people - African-Americans but the diaspora as well - can see and witness themselves' Diana Evans

Meet Maud: a guinea pig who inexplicably wears a judo suit - and not everyone understands or approves. When Maud is thrown into a new and confusing situation, it takes brave decisions and serendipitous encounters for her to find her place and embrace her individuality. The charming characters of Magenta Fox, whose work is evocative of Raymond Briggs and Janet Ahlberg, perfectly offset Zadie and Nick's warm, wry prose. Weirdo is an endearing story about the quiet power of being different by two veteran writers, and introduces an exciting debut illustrator. Together they have created a picture book that adults and children alike will treasure.

"Smith's thrilling cultural insights never overshadow the wholeness of her characters, who are so keenly observed that one feels witness to their lives." -O, The Oprah Magazine "A sweeping meditation on art, race, and identity that may be [Smith's] most ambitious work yet." -Esquire A New York Times bestseller * Finalist for the National Book Critics Circle Award for Fiction * Longlisted for the Man Booker Prize An ambitious, exuberant new novel moving from North West London to West Africa, from the multi-award-winning author of White Teeth and On Beauty. Two brown girls dream of being dancers-but only one, Tracey, has talent. The other has ideas: about rhythm and time, about black bodies and black music, what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early twenties, never to be revisited, but never quite forgotten, either. Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live. But when Aimee develops grand philanthropic ambitions, the story moves from London to West Africa, where diaspora tourists travel back in time to find their roots, young men risk their lives to escape into a different future, the women dance just like Tracey-the same twists, the same shakes-and the origins of a profound inequality are not a matter of distant history, but a present dance to the music of time. Zadie Smith's newest book, Grand Union, published in 2019.

From the MAN BOOKER PRIZE- and WOMEN'S PRIZE-SHORTLISTED author of Swing Time, White Teeth and On Beauty - a masterful and intimate novel of modern London life 'A triumph. Every sentence sings' Guardian 'Intensely funny, richly varied, always unexpected. A joyous, optimistic, angry masterpiece' Daily Telegraph 'Smith's most satisfying novel. Funny, sexy, weird, full of acute social comedy. She's up there with the best around' Evening Standard Zadie Smith's brilliant tragicomic NW follows four Londoners - Leah, Natalie, Felix and Nathan - after they've left their childhood council estate, grown up and moved on to different lives. From private houses to public parks, at work and at play, their city is brutal, beautiful and complicated. Yet after a chance encounter they each find that the choices they've made, the people they once were and are now, can suddenly, rapidly unravel. Funny, poignant and vividly contemporary, NW is as brimming with vitality as the city itself.